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Maurice squirmed uncomfortably. "Now look here, Bill," he protested, "Fatty an' me wasn't any scarter than you was, yourself. Who made the first jump, I want'a know; who?", Mr Lawrence approached the figure of the young lady sobbing against the bulkhead, and placed his hand lightly upon her shoulder. She shook him off with a passionate convulsion of her whole form, which was full of disgust, aversion, and contemptuous wrath. It was a masterpiece of movement, eloquent in the highest possible degree of what she chose him to believe was in her mind. Her mother, Mrs Kitty O'Hara, had been famous for her artful strokes in this way. No actress surpassed her, and few were the equals of Mrs O'Hara in the remarkable gift of personification of passion by action., "That night Maurice Keeler an' me went over to Gamble's an' borrowed his old ferret. He's a big ferret an' he'll tackle anythin', even a skunk. With some keg-hoops an' a canvas sack we had made what we needed to catch the weasels in. Then we put a muzzle on the ferret, so he couldn't fang-cut the weasels, an' we went over to Scraff's. As soon as Joe Scraff saw the ferret he began to see light an' turned into the house to get his shotgun. I told him to remember his promise to let me get the weasels alive, so he set on the fence an' watched while we got busy..